That drawing of a black-haired woman wearing a cross-necklace around her arching neck is certainly the most iconic image THE SWOON ever produced. Her pretty face graced our first EP, a collection of songs under the title Ben Son Ben Son Beatrice (later included on the album THE SWOON along with the Neverland sessions). We used the face of that young woman on the t-shirts we sold at concerts—ugly white t-shirts emblazoned with the deep thought, “Love is the saddest song ever sung” written like a caption underneath her image. We used that picture for posters, flyers, promotions, and there’s even a rare and hard-to-find chapbook of lyrics from SWOON songs with her picture on the cover. The woman’s face also featured in the video shoot for Square Dance Candlelight.
I can’t find my Sky Poster of THE SWOON. Did I throw it away? I thought I kept one copy. It was a big 18 x 24 inch deal, and we must have printed about 1000 of them. We papered downtown Minneapolis and Dinkytown with those posters every time we had a show. In retrospect, it seems unlikely anyone ever attended a show on the basis of seeing that poster.
The Sky Poster was big glossy sheet of paper featuring a photo taken in the bathroom at Seventh Street Entry (First Avenue) in 1987 or 88, before sonic-bass master, Troy Baartman, joined the band. Troy was always a little sore that he wasn’t in the picture, so sometimes we’d use a sharpie to draw a stickman on the posters—standing in front of the urinal.
We were at Seventh Street Entry—it was our first time playing that club. A big deal to us. First Avenue was doing some local talent showcase series, so we drove up from Cottonwood to participate. No one in Minneapolis had ever heard of us. That was the first of several shows in that little dive.
Derb came with us for the adventure, and so did his friend Sky Alsgaard who happens to be an exceptionally talented photographer and artist. She took the photo in the bathroom. It had a gritty, naughty-boys, these-kids-aren’t-from-Cottonwood look to it, and we liked it. We put it on a poster and printed about 1000 copies without ever giving Sky any credit or compensation for the photo. Time to give credit where credit is due.
Over the years, we had a lot of different photographers try to photograph THE SWOON, some of them high-end professionals, but Sky’s photos captured the real deal in some completely unguarded moments. Watch for more of Sky’s work and her vintage photos from back in the day on theswoon.band as we start gearing up toward the 2021 re-release of the music. We should probably reprint the poster too–this time with credit to Sky.